https://www.voicesinthegallery.com/voicing-the-political daily 0.75 2020-01-09 https://www.voicesinthegallery.com/voicing-the-political/nqdg68jv3n7puhurn9fxefr1itcjzd monthly 0.5 2021-03-29 https://www.voicesinthegallery.com/voicing-the-political/2016/2/16/monolithic-modernity monthly 0.5 2020-01-10 https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1553455404851-91QGCA1ISBHUJPX7HHJN/Promised+Lands+FINALa-05.jpg Study Sessions: Voicing the Political 2019 - The polyvocal is political Emma Wolukau-Wanambwa, Promised Lands (still), 2015. Courtesy of the artist. A still image from the film, showing a near-dark landscape, with the word Indecipherable across the middle of the image, in yellow caps https://www.voicesinthegallery.com/voicing-the-political/2016/2/16/monolithic-modernity-hr69j monthly 0.5 2020-10-21 https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1553456668650-D2LV068FVZ0C6J8DR6YO/A+swallow+01003920.jpg Study Sessions: Voicing the Political 2019 - Attuning to voice Laure Prouvost, Swallow (still), 2013. Courtesy of the artist. A still from the film, showing a very close-up image of the flesh of a very juicy, pulpy orange, being pulled apart. https://www.voicesinthegallery.com/voicing-the-political/2015/12/8/from-modernism-to-tomorrow monthly 0.5 2020-10-21 https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1553616783660-JR3Q077LP4YQR86P9MLD/9++1988++COLD+DRAFT+-+lis+rhodes+copy.jpg Study Sessions: Voicing the Political 2019 - The subject of the sentence Lis Rhodes, A Cold Draft (still), 1988. Courtesy of the artist. A still from the film, showing an abstract image in black, white and shades of grey. Some of the marks approach the look of writing but no words can be read. https://www.voicesinthegallery.com/voicing-the-political/category/Community+Takeover monthly 0.5 https://www.voicesinthegallery.com/voicing-the-political/category/Events monthly 0.5 https://www.voicesinthegallery.com/voicing-the-political/tag/Voicing+the+Political monthly 0.5 https://www.voicesinthegallery.com/voicing-the-political/tag/Study+Sessions monthly 0.5 https://www.voicesinthegallery.com/voicing-the-political/tag/Lis+Rhodes monthly 0.5 https://www.voicesinthegallery.com/voicing-the-political/tag/Nottingham+Contemporary monthly 0.5 https://www.voicesinthegallery.com/interruptions-disruptions daily 0.75 2020-07-27 https://www.voicesinthegallery.com/interruptions-disruptions/disruptions-many-voices monthly 0.5 2020-10-21 https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1595886846428-RNZ46M220HMO3PE9ECLY/Photo+of+a+soundmap+created+by+Amanda+Kent+in+the+course+of+the+Disruptions+poetry+workshops.+The+image+is+largely+grew%2C+with+splashes+of+red%2C+and+a+patch+of+yellow.+Words+on+the+map+include+%22birdsong%22%2C+%22footsteps%22 Interruptions / Disruptions Public Programme 2020 - Disruptions: Archived Amanda Kent, Soundmap, 2020 https://www.voicesinthegallery.com/interruptions-disruptions/interruptionsdisruptions-a-public-programme-devised-by-dr-eleanor-k-jones-and-dr-priti-mishra-in-conjunction-with-dr-sarah-hayden monthly 0.5 2021-03-29 https://www.voicesinthegallery.com/interruptions-disruptions/interruptions-4 monthly 0.5 2020-10-21 https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1578605829902-TG7B09YHUNUKHPJSBBFO/Lawrence+Abu+Hamdan%2C+The+Freedom+of+Speech+Itself+%282012%29%2C+Installation+view+at+HKW+Berlin.+The+photo+shows+a+three-dimensional+structure+built+up+of+acoustic+foam%2C+to+form+a+contoured+approximation+of+a+landscape Interruptions / Disruptions Public Programme 2020 - Interruptions 1: Auditory Surveillance Lawrence Abu Hamdan, The Freedom of Speech Itself (2012), Installation view at HKW Berlin https://www.voicesinthegallery.com/interruptions-disruptions/interruptions-3 monthly 0.5 2020-10-21 https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1578605969840-WJMOEEORZ83N2I4MJJEG/Voicemaps+Chelsea-vowel-space.jpg Interruptions / Disruptions Public Programme 2020 - Interruptions 2: Voice Maps – Space to Create! https://www.voicesinthegallery.com/interruptions-disruptions/interruptions-2 monthly 0.5 2020-10-21 https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1578606376024-XOBBCD1HJSALCOWDG3QO/Image%3A+Performance+of+%27Equivalence%27+at+Summerhall%2C+Edinburgh.+Photo+by+Rich+Dyson.+Description%3A+A+small+stage+area+with+a+blackboard.+Above+the+blackboard%2C+a+film+is+projected.+There+are+eight+people+on-screen+of+various+genders+and+racial+backgrounds%2C+holding+colourful+books.+In+the+centre+of+the+screen+is+Bea+Webster%2C+who+is+Scottish-Thai+and+has+long+brown+hair.+A+caption+appears+below+her+in+pink%3A+%27You+are+in+an+elevator.%27+To+the+left+of+the+screen+is+live+captioning.+projected+on+the+wall+in+yellow%3A+%27...Shit.+Can+any+of+you+do+a+German+accent%3F%27.+Underneath+the+screen+on+the+left%2C+is+BSL+interpreter+Lisa+Li.+She+is+a+Chinese-Scottish+woman+sitting+on+a+table%2C+looking+up+at+the+screen.+She+is+dressed+as+a+mermaid.+To+her+right+stands+Sandra+Alland%2C+a+white+person+with+short+brown+hair+and+a+walking+stick.+Sandra%27s+back+is+to+the+camera%3B+they+are+also+looking+up+at+the+screen. Interruptions / Disruptions Public Programme 2020 - Interruptions 3: The Social Currency of Voice: Radical Disabled and D/deaf Inclusivity Image: Performance of 'Equivalence' at Summerhall, Edinburgh. Photo by Rich Dyson. Description: A small stage area with a blackboard. Above the blackboard, a film is projected. There are eight people on-screen of various genders and racial backgrounds, holding colourful books. In the centre of the screen is Bea Webster, who is Scottish-Thai and has long brown hair. A caption appears below her in pink: 'You are in an elevator.' To the left of the screen is live captioning. projected on the wall in yellow: '...Shit. Can any of you do a German accent?'. Underneath the screen on the left, is BSL interpreter Lisa Li. She is a Chinese-Scottish woman sitting on a table, looking up at the screen. She is dressed as a mermaid. To her right stands Sandra Alland, a white person with short brown hair and a walking stick. Sandra's back is to the camera; they are also looking up at the screen. https://www.voicesinthegallery.com/interruptions-disruptions/interruptions-1 monthly 0.5 2020-10-21 https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1578597068005-EYEQFFLEYY08CGFFQBBO/Photo+of+South+Africa+Climate+Strike+protestors+holding+home-made+placards.+Many+of+those+shown+are+very+young.+Photo+by+Ashraf+Hendricks Interruptions / Disruptions Public Programme 2020 - Interruptions 4: Global Environmentalisms Image Credit: SA Climate Strike/ Ashraf Hendricks https://www.voicesinthegallery.com/interruptions-disruptions/interruptions-5-1 monthly 0.5 2020-10-21 https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1578606712575-52395R8QBDMW1PVLSPMY/Protest+flyer.+Item+of+printed+ephemera%2C+produced+by+anonymous+artists%27+collective+PESTS%2C+USA%2C+1980s.+The+flyer+reads%3A+We%27re+Here.+Why+won%27t+you+see+us%3F+There+are+at+least+11%2C009+artists+of+color+in+New+York.+Why+don%27t+you+see+us%3F Interruptions / Disruptions Public Programme 2020 - Interruptions 5: Art and Protest - A Thread Protest flyer. Item of printed ephemera, produced by anonymous artists' collective PESTS, USA, 1980s https://www.voicesinthegallery.com/interruptions-disruptions/interruptions-5 monthly 0.5 2020-10-21 https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1578597265064-TLAWWUHDD9J3MGOB60H4/Photo+of+Nisha+Ramayya%2C+showing+head+and+shoulders.+Ramayya+is+wearing+a+red+coat+and+glasses+and+is+shown+in+profile%2C+on+a+beach+as+the+sun+goes+down Interruptions / Disruptions Public Programme 2020 - Disruptions: Creative Writing Workshops https://www.voicesinthegallery.com/interruptions-disruptions/category/John+Hansard+Gallery monthly 0.5 https://www.voicesinthegallery.com/interruptions-disruptions/category/Many+voices monthly 0.5 https://www.voicesinthegallery.com/interruptions-disruptions/category/Poet-in-Residence monthly 0.5 https://www.voicesinthegallery.com/interruptions-disruptions/category/all+%5B...%5D monthly 0.5 https://www.voicesinthegallery.com/interruptions-disruptions/category/Interruptions%2FDisruptions monthly 0.5 https://www.voicesinthegallery.com/interruptions-disruptions/category/Entropics monthly 0.5 https://www.voicesinthegallery.com/interruptions-disruptions/tag/John+Hansard+Gallery monthly 0.5 https://www.voicesinthegallery.com/interruptions-disruptions/tag/Many+voices monthly 0.5 https://www.voicesinthegallery.com/interruptions-disruptions/tag/Poetry monthly 0.5 https://www.voicesinthegallery.com/interruptions-disruptions/tag/Nisha+Ramayya monthly 0.5 https://www.voicesinthegallery.com/voices-at-jhg daily 0.75 2020-01-10 https://www.voicesinthegallery.com/voices-at-jhg/on-voice-amp-how-to-hear-it monthly 0.5 2020-10-21 https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1555690382920-EJCUCJBAL9HLD9S1WKLR/A+photo+of+a+lamb+with+its+very+large+ears+pricked+up%2C+and+the+workshop+title%3A+Voice+and+How+to+Hear+It Voices at JHG 2019 - Voice & How To Hear It https://www.voicesinthegallery.com/voices-at-jhg/2015/11/24/the-return-of-the-rainbow monthly 0.5 2020-10-21 https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1555267299288-YI6QJ70ASDUYTH3NSJ2W/Laure+Prouvost%2C+DIT+LEARN%2C+2017%2C+video+still.+This+still+shows+a+close-up+of+a+soft-boiled+egg+on+a+wooden+surface%2C+with+a+metallic-green+fly+perched+on+the+eggshell Voices at JHG 2019 - Pleasure/ Power/ Play (& Prouvost) Laure Prouvost, DIT LEARN, 2017, video still. Courtesy of the artist. https://www.voicesinthegallery.com/voices-at-jhg/space-to-create-voicing-your-vision monthly 0.5 2020-10-21 https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1556290349326-ESFHIP1RUI6VM9H48Q3F/Hannah+Kemp-Welch%2C+If+It+Was+Laure+and+Hannah%27s+Museum+%282019%29.+A+collage+using+the+gallery+exterior+as+its+base Voices at JHG 2019 - Space to Create: Voicing your Vision Hannah Kemp-Welch, If It Was Laure and Hannah’s Museum (2019). Courtesy of the artist. https://www.voicesinthegallery.com/voices-at-jhg/our-voices-our-visions monthly 0.5 2020-10-21 https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1578649349750-TFSKLAAFNETND8TUP4ZJ/Installation+shot+of+Hannah+Kemp-Welch%27s+Our+Voices%2C+Our+Visions+community+art+project%2C+showing+the+MP3+listening+stations+at+John+Hansard+Gallery Voices at JHG 2019 - Our Voices, Our Visions Our Voices, Our Visions at JHG https://www.voicesinthegallery.com/voices-at-jhg/category/Community+Takeover monthly 0.5 https://www.voicesinthegallery.com/voices-at-jhg/category/Events monthly 0.5 https://www.voicesinthegallery.com/voices-at-jhg/tag/Community+Takeover monthly 0.5 https://www.voicesinthegallery.com/voices-at-jhg/tag/John+Hansard+Gallery monthly 0.5 https://www.voicesinthegallery.com/voices-at-jhg/tag/Family-friendly monthly 0.5 https://www.voicesinthegallery.com/voices-at-jhg/tag/Space+to+Create monthly 0.5 https://www.voicesinthegallery.com/captionconscious-ecology daily 0.75 2021-09-27 https://www.voicesinthegallery.com/captionconscious-ecology/caption-conscious-ecology monthly 0.5 2021-09-27 https://www.voicesinthegallery.com/captionconscious-ecology/access-and-abundance monthly 0.5 2021-10-14 https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1632783032260-9YLPBEUCO3SRIOIUJJK1/CCE+1+logo.png Caption-Conscious Ecology - Talk/Screening 1: Access and Abundance - Make it stand out Series logo: the words Caption-Conscious Ecology spread across 3 sides of a square, inside square brackets https://www.voicesinthegallery.com/captionconscious-ecology/protest-and-practice monthly 0.5 2021-09-27 https://www.voicesinthegallery.com/captionconscious-ecology/captioning-for-artists monthly 0.5 2021-09-27 https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1632784551860-AEY918F0HLSMH83K9Q37/green+cce.png Caption-Conscious Ecology - Workshop 1: Captioning for Artists - Make it stand out The series logo: the words Caption-Conscious Ecology spread across 3 sides of a square, inside square brackets https://www.voicesinthegallery.com/captionconscious-ecology/captioning-for-curators monthly 0.5 2021-09-27 https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1632784444936-QMIQB307SAV5GUZ2F3GD/turquoise+cce.png Caption-Conscious Ecology - Workshop 2: Captioning for Curators - Make it stand out The series logo: the words Caption-Conscious Ecology spread across 3 sides of a square, inside square brackets https://www.voicesinthegallery.com/captionconscious-ecology/tag/voice monthly 0.5 https://www.voicesinthegallery.com/captionconscious-ecology/tag/Captions monthly 0.5 https://www.voicesinthegallery.com/captionconscious-ecology/tag/Access monthly 0.5 https://www.voicesinthegallery.com/captionconscious-ecology/tag/Nottingham+Contemporary monthly 0.5 https://www.voicesinthegallery.com/contact daily 0.75 2021-03-29 https://www.voicesinthegallery.com/about-the-project daily 1.0 2026-02-17 https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1553640034403-YTFXS278LEHLWYN3VJJ6/Project+graphic%3A+a+square+frame+in+red%2C+one+side+is+at+an+angle+to+suggest+an+opening About the Project https://www.voicesinthegallery.com/talks daily 0.75 2022-09-12 https://www.voicesinthegallery.com/sarah-hayden daily 0.75 2022-09-12 https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1564528733415-8310NXXFDL3CLOPTGPIJ/Cover+of+Sarah+Hayden%27s+book%2C+Curious+Disciplines%3A+Mina+Loy+and+Avant-Garde+Artisthood.+The+cover+image+is+a+painting+by+Mina+Loy%2C+showing+a+woman+dancing%2C+against+a+red+background Sarah Hayden - Curious Disciplines: Mina Loy and Avant-Garde Artisthood (Albuquerque: University of New Mexico Press, 2018) https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1564528923949-R845F4YPSVE3K3O59KUJ/Cover+of+Sarah+Hayden+and+Paul+Hegarty%27s+book%2C+Peter+Roehr-Field+Pulsations.+The+cover+image+is+a+montage+by+Roehr. Sarah Hayden - Peter-Roehr—Field Pulsations—Avant-Garde Artist of the ‘60s (Köln: Snoeck, Jan 2018) https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1579464594886-NWEODR70FUJRF7Z4DGKS/Cover+of+the+journal%2C+Paper+Visual+Art+Volume+11 Sarah Hayden - ‘YOU WON[’]T BE ABLE TO REWIND BUT ONLY GO FORWARD’ Laure Prouvost, AM-BIG-YOU-US LEGSICON MuHKA, Antwerp 8 February–19 May 2019, [review-essay] Paper Visual Art 11 (2020) https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1564646649283-96QJ91JR9MHS6L6B1U6W/Front+cover+of+a+broadside+produced+for+the+exhibition+Atherton+After+Ireland.+The+image+is+of+Kevin+Atherton%2C+taken+from+his+video+On%2FOff. Sarah Hayden - ‘An Interjection’ [voiceover & broadside] for Atherton After Ireland: A Kevin Atherton Retrospective, Sirius Arts Centre, Cobh (2018) https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1564590376509-8L9S2T1BG2LP9794FNMP/Cover+of+the+book%2C+One+Here+Now%3A+The+Brian+O%27Doherty%2F+Patrick+Ireland+Project.+Purple+and+orange+text+on+a+grey+background. Sarah Hayden - ‘After Atherton After Ireland’, in One Here Now: The Brian O’Doherty Project (Dublin: Paper Visual Art, 2019) https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1564590796876-TOH4F0QZ676NG689BKCA/Cover+of+the+book%2C+Personally%2C+I%27m+Most+Interested+in+the+Shapes+and+Colours.+The+cover+is+pale+pink%2C+with+the+outline+of+an+abstract+shape+in+black. Sarah Hayden - 'Jens Presser's Performative Personae', in Personally, I'm Most Interested in the Shapes and Colours (Ghent: MER. Paper Kunsthalle, May 2015 https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1564529846571-FG27UN4CWAT41HY5PVDB/Screen+Shot+2019-07-31+at+00.38.00.png Sarah Hayden - ‘Introduction’ in Mina Loy, Insel (New York: Melville House Press, 2014) https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1564530079210-ZPCS8F3C4YFGY4Y9EZXI/Cover+of+Hayden%27s+poetry+chapbook%2C+sitevisit.+Black+text+on+grey. Sarah Hayden - Sitevisit [poetry chapbook] (London/München: Materials, 2018) https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1564590485356-QWMEBNOIJ8DM65RFM994/Cover+of+Hayden%27s+poetry+chapbook%2C+Turnpikes. Sarah Hayden - Turnpikes [poetry chapbook] (Bristol: Sad Press, 2017) https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1564647156783-8LKH2RBOL8345WYX2HM1/Cover+of+Hayden%27s+poetry+chapbook%2C+System+without+Issue.+Blue+abstract+collage%2C+with+a+ray+of+light+across+it. Sarah Hayden - System without Issue (UK: Oystercatcher, 2013) https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1564591179132-7GM0IEGBKJWF67EREUI8/Cover+of+Hayden%27s+poetry+chapbook%2C+Exteroceptive.+Green+background+with+an+abstract+geometric+shape+in+brown%2C+blue+and+orange. Sarah Hayden - Exteroceptive [poetry chapbook] (Bray: Wild Honey, 2013) https://www.voicesinthegallery.com/manyvoices daily 0.75 2021-03-29 https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1579460585097-7XFV0UI6FJ9C2QXUW86C/Exhibition+logo%3A+Many+voices%2C+all+of+them+loved Exhibition: Many voices, all of them loved https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1583187693410-0WQAB43AX7DYZU45I2LX/_DSC1145a.jpg Exhibition: Many voices, all of them loved - Willem de Rooij's Ilulissat 12-channel sound installation in gallery 3 at John Hansard Gallery as part of Many voices, all of them loved. The gallery is dimly lit and contains three wooden benches and 12 speakers on stands. https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1583187758298-46791KT3Z74YGKRR43BS/_DSC1086a.jpg Exhibition: Many voices, all of them loved - Installation image of gallery 2 at John Hansard Gallery during Many voices, all of them loved. In frame are Kader Attia's Oil and Sugar and Lawrence Abu Hamdan's Conflicted Phonemes https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1583187696921-H0A66NH9PLA0NKW818TF/_DSC1146a.jpg Exhibition: Many voices, all of them loved - Installation shot of Many voices, all of them loved. In frame are Abu Hamdan's Conflicted Phonemes and the plinth displaying the exhibition broadsides https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1583187698550-MZU2ZMKO50G4ZYNMD1OK/_DSC1142a.jpg Exhibition: Many voices, all of them loved - Side-view of Willem de Rooij's Ilulissat installed in gallery 2. In frame are three wooden benches and a speakers on stands, at different heights https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1583187712970-Z7XYJROOA93FRE9TV4PZ/_DSC1119Ba.jpg Exhibition: Many voices, all of them loved - Laure Prouvost's DIT LEARN film installation. The booth is dark and contains a wooden bench. The image onscreen shows the artist wearing a painted mask and holding a fish https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1583187721142-OHF6O6NZS7RKZ62M8UHZ/_DSC1119a.jpg Exhibition: Many voices, all of them loved - Inside the booth containing Laure Prouvost's film installation, DIT LEARN. The image onscreen shows the artist wearing a painted mask, seated, and with her hands outstretched. https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1583187726609-40U7TZPCJO129NAK7T4P/_DSC1111a.jpg Exhibition: Many voices, all of them loved - Emma Wolukau-Wanambwa's text-only video, Credits as at 24/10/2008, displayed on a flatscreen attached to the wall of gallery 2. The screen displays a list of the artist’s reference points, in the format used for film credits. https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1583187729584-2J3LOCQL2YHKXZXZ5KHW/_DSC1106a.jpg Exhibition: Many voices, all of them loved - Emma Wolukau-Wanambwa's film installation, Promised Lands, as presented inside a booth in gallery 2. The image onscreen shows a green, leafy landscape, with captions overlaid. The captions read: “I am saying can we just drop in here and say to one of my surviving” https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1583187731453-HQ40JFAW7EXI4NVCDDVN/_DSC1105a.jpg Exhibition: Many voices, all of them loved - Emma Wolukau-Wanambwa's Promised Lands installed in a booth. The image onscreen is of a leafy landscape. https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1583187736713-RDW4FFS77K1I58RPKDDO/_DSC1102a.jpg Exhibition: Many voices, all of them loved - Kader Attia's Oil and Sugar #2 installed on a Hantarex CRT monitor on a stand in gallery 2. The image onscreen shows a cube of oil-drenched sugar cubes collapsing. https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1583187742972-ZCLKEV1RWLAQ7BY2Y6OR/_DSC1101a.jpg Exhibition: Many voices, all of them loved - Kader Attia's Oil and Sugar #2 installed on a Hantarex CRT monitor on a stand in gallery 2. The image onscreen shows a cube of oil-drenched sugar cubes collapsing. https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1583187750959-7ZOW6XKPG2JDYBD2N6UR/_DSC1097a.jpg Exhibition: Many voices, all of them loved - Lawrence Abu Hamdan's Conflicted Phonemes installed in gallery 2. In frame are a large graphic diagram depicting degrees of language variance among Somali asylum-seekers and a shelf holding voice-maps of 9 individuals whose voices were mapped. https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1583187750583-A216YMUV861HL38O1EIU/_DSC1094a.jpg Exhibition: Many voices, all of them loved - Liza Sylvestre's film, Captioned: Twentieth Century installed on a flatscreen in gallery 2. Also in frame is a modern grey couch for visitors, and headphones. In the image frozen onscreen, the actor John Barrymore points at the actor Carole Lombard. https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1583187761642-M0E1OG1CB77NR7EYM4R5/_DSC1087a.jpg Exhibition: Many voices, all of them loved - Liza Sylvestre's Captioned: Twentieth Century. Onscreen, John Barrymore points at Carole Lombard. This time, the screen also displays a caption added by the artist. It reads: “That she has her own power”. https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1583187763943-7XT8A5ZFUXM7S2APG3UG/_DSC1084a.jpg Exhibition: Many voices, all of them loved - Installation view of the main floor space in gallery 2. In frame are Kader Attia's Oil and Sugar #2 and Liza Sylvestre's Captioned: Twentieth Century, as well as the plinth containing broadsides. https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1583187769318-INZTOX5EUIJSIESASB55/_DSC1080a.jpg Exhibition: Many voices, all of them loved - Installation view of the main floor space in gallery 2. In frame are Liza Sylvestre's Captioned: Twentieth Century, as well as the plinth containing broadsides. https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1583187775834-C7GGF4E7HRLX8TMCP8RR/_DSC1079a.jpg Exhibition: Many voices, all of them loved - Installation view of the main floor space in gallery 2. In frame are Lawrence Abu Hamdan's Conflicted Phonemes and Liza Sylvestre's Captioned: Twentieth Century. https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1583187777784-VKKP6FL25A9KDR731UGG/_DSC1077a.jpg Exhibition: Many voices, all of them loved - This last installation shot also shows a view of gallery 2, with works by Liza Sylvestre and Lawrence Abu Hamdan on view. This photo was taken from the doorway, and also shows the external walls of the booths in which films by Wolukau-Wanambwa and Prouvost were installed. https://www.voicesinthegallery.com/writing daily 0.75 2024-06-30 https://www.voicesinthegallery.com/voicevideo daily 0.75 2021-03-29 https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1603323476424-DJ549KO9FK7OWT6FTO57/Screenshot+of+the+splash-page+of+%23WIP+online+exhibition. Voice/Video for #WIP https://www.voicesinthegallery.com/exploring-alttext-as-poetry daily 0.75 2022-03-10 https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/71fe9fbb-2127-45c0-852b-e1d33f76114b/exploring+alt-text+image.jpeg Exploring Alt-Text as Poetry - Make it stand out A bright yellow poster with circular photo insert. Inside the circle, a luridly pink dahlia that looks a bit like a sea anemone. It’s pictured against lush greenery, with the words Exploring Alt-Text as Poetry printed over. Around the image, the logos for University of Southampton, Disability History Month and the associated hashtag, as well as the event date (24 November 2021) and time (18.00-20.00), and an expired eventbrite link to sign up and a tag indicating that this took place live and online. https://www.voicesinthegallery.com/the-art-of-captioning daily 0.75 2022-05-25 https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/35ec795c-a67a-4e05-b7fe-4b1dbf1da65a/Seo-Hye-Lee-crop_242_180_s_c1.jpg The Art of Captioning Image Credit: Seo Hye Lee, [sound of subtitles], 2021, Courtesy of Bexley Local Studies & Archive Centre and London’s Screen Archives https://www.voicesinthegallery.com/exhibition-liza-sylvestre-asweetsea daily 0.75 2023-10-03 https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1696289482960-70LWKS8IQWQJZO2242Z0/11.10.22_Liza_Sylvestre_asweetsea_78.jpg Exhibition: Liza Sylvestre | asweetsea A still image of the asweetsea video installed in a dark room with a wooden bench in front of it. The still image depicts a white cartoon child with long very pale hair, large blue eyes and light pink-toned skin. Semi-translucent sea plants curve in front of her, partially obscuring her. At the bottom of the screen in yellow letters captions read “just haves a fish tail and scales”. https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1696289484055-YVG6HVWTTWZW4A0U4XJR/11.10.22_Liza_Sylvestre_asweetsea_19w.jpg Exhibition: Liza Sylvestre | asweetsea 19w - A closeup of the drawing titled Parts 8B, 64, 7, 12G, 19, 12K. Lego parts are drawn in simple black ink on tracing paper. This image shows two layers of tracing paper which overlap creating off-set alignments of Lego parts. The Lego parts depicted vary quite a bit; some examples are: a section of an airplane, a Lego person displayed in a vertical line with the different sections pulled apart rather than assembled, a Lego horse, and a Lego home partially built. https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1696289484340-WN4L61D0LP68O22NZYDJ/11.10.22_Liza_Sylvestre_asweetsea_97.jpg Exhibition: Liza Sylvestre | asweetsea 97 - An image which shows the video Flashlight Project_excerpt on a digital array. There is a gray couch in front of it and the large bright windows of the John Hansard Gallery are partially seen on the right with a plant in front of them. The still image shows a mostly black screen with a circular yellow spotlight in the center. Within the circle is black text which reads “that llke”. Yellow captioned text at the bottom of the screen reads “whether other people are making you feel this way or not…”. https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1696289485556-HZZJCA4FFIZP2KQSNVLL/11.10.22_Liza_Sylvestre_asweetsea_13.jpg Exhibition: Liza Sylvestre | asweetsea 13 - A view of the asweetsea exhibition which shows a long, low, curved, white plinth with five purple tinted sculptures evenly spaced on top. The length of the plinth is aligned with the camera angle. Behind the plinth, on the left, are two large drawings inside clear plexiglass frames. Behind the plinth, on the right, are two wooden benches with four sets of headphones. https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1696289486899-76SIZ8YA0YYE2GC5O940/11.10.22_Liza_Sylvestre_asweetsea_70.jpg Exhibition: Liza Sylvestre | asweetsea 68 - A closeup image of the sculpture titled Memorabilia (Sprinkling Can). The spout of a watering can appears to be a flower with Lego pins and anti-pins decorating it. The body of the watering can appears below and glows with a strange luminosity. The sculpture is made out of a purple-tinted, semi-transparent, 3D printed resin. Where the object is thicker, the purple color is more vivid, and where the object is thinner the material is less purple and more transparent. https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/1696289488145-I8P6P4IX34SQ08YD2TBW/11.10.22_Liza_Sylvestre_asweetsea_74.jpg Exhibition: Liza Sylvestre | asweetsea 74 - An image which shows the top of a white, curved plinth. On it are four objects which have been 3D printed out of a purple-tinted, semi-transparent resin. Hidden within the plinth and lined up with the base of each object is a light source. The light makes each of the objects glow. Where each of the objects are thicker, the purple color is more vivid, and where each of the objects is thinner, the material becomes more colorless. https://www.voicesinthegallery.com/slow-emergency-siren-ongoing daily 0.75 2023-10-02 https://images.squarespace-cdn.com/content/v1/5c91606965019f4d100c2c68/9b2fb456-2428-4f91-877a-cace48cfcb61/siren+cover.jpg slow emergency siren, ongoing - Make it stand out A large-print, spiral-bound book, on which the title, slow emergency siren, ongoing repeats in sans serif font 5 times, followed by the subtitle: accessing Handsworth Songs and the words “edited by Sarah Hayden”. https://www.voicesinthegallery.com/a-language-of-holes daily 0.75 2023-10-03